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Stampede in Multan: Some lessons

It was April 1986. The venue was the Qasim Bagh Stadium, Multan. The event was Benazir Bhutto’s first-ever public rally in the city. She had arrived in Pakistan after spending a long time in exile. Earlier, she had made a historic return to Lahore, with an unprecedented reception awaiting her. Prime Minister Junejo was in the saddle, while the lurking shadows of Ziaul Haq’s authoritarian rule still chased the frail democratic system. After her heartwarming welcome in Lahore, BB never looked back and rode high on the crest of her new-found popularity.

Multan was now all set to accord her a tumultuous welcome. After all, it was the same city where the late Zulfikar Ali Bhutto (ZAB) had contested and won a seat in the 1970 elections, although it later became the staging ground for stiff defiance against him during the 1977 PNA movement. As a young officer, I had been witness to the worst clashes between the protestors and the federal security force not very far from Qasim Bagh.

Now, a few years later, I was posted as deputy commissioner of the city. In April 1986, we came to know of Ms Bhutto’s plan of visiting Punjab and staging public rallies in various cities, including in Multan. It was a trying time for me as I had to tie up loose ends and oversee one of the largest public rallies ever by an opposition leader, with people like Nawabzada Nasrullah Khan and Meraj Muhammad Khan also accompanying Ms Bhutto. Her visit created a flurry in the ranks of the local administration. There were hiccups regarding the choice of venue: the organisers were adamant on holding the rally at Qasim Bagh in the open, while our view in the administration was that it should be held in the adjoining stadium, which was a far more suitable place from the security point of view. In a stadium, the crowd is caged and the proceedings are insulated from any outside mischief. We had also got a tip-off about threat to Ms Bhutto’s life. I, along with SSP Multan, were summoned by the chief secretary, who gave us a clear message that if anything untoward happened, both of us would be held responsible. After this warning, we huddled together with the PPP’s central leadership, which was headed by the late Rao Abdur Rashid, one-time special assistant to ZAB and an ardent party supporter, who suffered a long imprisonment during General Zia’s reign. We were able to convince him to change the venue of the rally. Being a former civil servant, it did not take him much time to gauge our intent and sincerity. Ms Bhutto’s security was so much on our minds that the rostrum she used at the stage for her fiery address was provided by the district police. During her stay in Multan, the SSP and I tailed her every movement for security reasons.

During the rally, instead of sitting in the control room, I moved and mingled within the crowd incognito, while a Punjabi poet on the microphone warmed the hearts of the spirited crowd with his verses: “Bhutto dae naaray wajan gae” (Bhutto’s slogans will reverberate). Ms Bhutto was at her best as she charged the Multani crowd while lashing out at Zia’s dictatorial rule.

Nearly three decades down the road, on October 10, as I watched the PTI’s rally on television, I could see that it was possibly the largest-ever staged at Qasim Bagh. Images of disorder and mismanagement on the stage were quite disturbing and indicated that something worse could happen. After the rally, as soon as visuals of the stampede popped up on the screen, it was enough to give me goosebumps as youngsters in their twenties died haplessly at the stadium’s gate.

The unfortunate incident has raised many questions that require answers from both the district administration and PTI stalwarts. I believe mistakes were committed on both sides. Let us discuss the selection of the venue. Basically, a sports stadium has a seating capacity of about 20,000 to 25,000 along the ramps. The gates of the stadium are, therefore, customised to allow for the entry and exit of this number and were not meant to cater for the brimming, cramped crowd that showed up. Everyone knew that Imran Khan’s rallies were pulling more than the expected number of people. Why, then, was this venue chosen, which was not customised to handle such a huge crowd? The PTI had earlier held rallies in stadiums in other cities, for instance, in Sialkot. However, while the Sialkot stadium catered to the local crowd only, Multan has a history of drawing crowds from catchments as far as Layyah, Taunsa and Rajanpur.

Also, one does not know whether arrangements for water carriers, maashkis, were made at the rally as has been the practice in the past. Many people collapsed just because of dehydration much before the actual stampede took place.

According to standard procedures in such rallies, temporary steel-frame buffers are erected between the crowd and the stage, and also within the ground for security reasons and to regulate movement. No such arrangement could be seen despite a stipulation to that effect in the agreement and permission order signed by the two parties. It seems that the organisers did not make provisions for the buffer, and if this was the case, then the district administration is also to blame as it failed to enforce the stipulation.

Political rallies have become mega corporate events, with tasks being outsourced without much oversight. These are now often arranged on a few days’ notice, which leaves so many details to chance. It is time that political parties started mulling over this before they are faced with more setbacks. There is a need to draft protocols for the conduct of these rallies. The government should take reasonable time to vet requests for permission to hold rallies. The PTI has drawn a battery of former civil servants to its fold. It is time now that its leadership gives them the task of helping evolve operating procedures when it comes to managing and staging rallies.

Imran Khan and Dr Tahirul Qadri have made a highly valid point when they ask our rulers to declare their assets and sources of income. It is time now that this argument is taken further: our political leaders should also be made accountable for the sources and amount of funds they get for these high-cost rallies and mobilisation at such a massive scale. I do not doubt at all that the sources of funds that parties get for their rallies are bona fide. The point I wish to make is that there is a need to document and make transactions transparent. Our legislators need to revisit the Political Parties Act and widen its scope. Just like expenses for an election campaign need to be documented, spending on off-season rallies should also be brought within the scope of law.

Published in The Express Tribune, October 21st, 2014.

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Why some Pakistani singers should bow out


I am Mr X but do not confuse me with the upcoming eponymous film in which Emraan Hashmi looks like my bff Naeem Abbas Rufi. Rufi often reminds me of a drug of the same name, which is used to make your date pass out so she won’t leave you. This is the same kind of desperation many Pakistani artistes have for fame.

One day, to get away from Rufi’s Candy Crush requests and the countless ‘offers’ that keep my studio phone ringing, I went to a shopping mall. I had to wear my sunglasses at night, so that no one could recognise me because that just makes my fans go hysterical, you know. But it became too dark, so I took them off. After that, I wandered where the mall was most crowded, but no one noticed me.

Right then, I saw a kid playing with a toy helicopter in a shop. I was instantly taken back to the time when I used to fly down on the stage in a helicopter amid 35,000 people cheering for me. Today, I have to buy a ticket to walk on the red carpet of a premiere of a new Pakistani film and photo bomb other celebrities, so my pictures are printed in magazines. Look how the tables have turned.

The future of pop stars in Pakistan is not as bright as the kurtas they wear for Eid transmissions. Now that I look around at my contemporaries, I see them loitering around like the dejected andhi and boorhi maa in a 1960s Indian film. While some ‘stars’ embrace the fact that their time to shine is over, others just don’t give up. Here’s why some of Pakistan’s ‘former’ pop musicians need to let it go.

•  ‘You can keep rocking till you die’ sounds great in theory, but when you make the kind of music that you did when you were a ‘hit’, it just becomes worse. A 50-year-old man singing about first love is just as absurd as us thinking that The 40-Year-Old Virgin is a comedy. There is a reason why when you tell kids about a jadoo ka chiragh, the first thing that comes to their mind is Aladdin and not Awaz.

•  You will eventually acknowledge that your days of music are behind you and that you should gracefully bow out, but only to ungracefully become a politician in a budding political party. In your new designation, will be promised that you will deliver a speech in front of a massive crowd, but that day will never come. The speech is pointless nonetheless because it will be just as insignificant as the invitation to go to Billo’s house. Who is Billo? Why are we going to her house? Will she serve us food?

As I get ready to perform at a wedding in Gulshan-e-Maymar, where the audience comprises nine people, of which four will be busy eating korma and sheermal, I still rock it like it’s my memorable gig at the National Stadium. Except, now when I get off the stage, I’m not stormed by a group of young girls with paper and body parts to give autographs on, but hear, “Abbay, do naan tou pakra bhai ko!”

Published in The Express Tribune, October 12th, 2014.

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Na Maloom Afraad all set to do some damage at the box office


Much like the infamous ‘Na Maloom Afraad’ who wreak havoc in the country, producers of the film, Na Maloom Afraad will follow suit by entering the Eidul-Azha box office race as potential party spoilers.

Given that Shaan’s Operation 021, Shahid Kapoor’s Haider and Hritik Rohsan’s Bang Bang had already earmarked the Eidul-Azha week for their respective releases, the nature of the announcement of the release date of the film comes as a surprise.

The film marks the directorial debut of renowned ad-filmmaker, Nabeel Qureshi, and would be distributed by Eveready Pictures and Hum Films.

The decision to release the film was made public in a curtain raiser arranged for the movie at a local hotel in Karachi. Apart from the principal cast and crew of the film the event was graced by the presence of several members of the Pakistani film fraternity.

“We are confident that we have made a quality product, as we believe NMA is a completely original film with a great storyline. The rest is up to you (the audience) to ensure that Pakistani films such as NMA and Operation 021 do well at the box office and ensure that Eidul-Azha becomes a Pakistani film weekend,” stated the producer of the film, Fizza Ali Meerza.

The cast of the film comprises of veteran actors Javed Sheikh, Salman Shahid, renowned TV actor Fahad Mustafa along with newcomers Mohsin Abbas Haider and VJ Urwa Hocane.

NMA tells the story of Karachi and the chaos and madness that encircles the lives of the main characters played by Javed Sheikh, Fahad Mustafa and Mohsin Abbas Haider. The director was all praise for the cast and crew of the film and further stated that, “the unique selling point of the film is that it is a completely made in Pakistan film.”

To questions about how the film seems similar to several Indian films such as Hera Pheri and Delhi Belly, Nabeel Qureshi confidently answered, “Pakistani audiences are not used to seeing quality products when it comes to Pakistani films and whenever they see a film that is visually brilliant they tend to assume that it has either been made by or in India. We can assure you that it is  completely made in Pakistan.”

The event primarily served the purpose of a music launch for the movie but no song generated as much interest like that of the item song, ‘Billi’. The movie had already generated a lot of buzz when the news had broken that it would be featuring an item song performed by television actress, Mehwish Hayat.

The soundtrack of the film comprises of nine songs of which seven have been composed by the famed duo of Shani-Kami.

Javed Sheikh was of the opinion that this film would be a game changer in the Pakistani film industry commenting, “The film has a different story and is 100% original. If our dramas can be better than Indian TV serials then so can our films.”

The movie has already garnered a tremendous amount of exhibitor interest but cinema owners seem to be in a dilemma about which film to screen. The announcement to release the film on Eidul-Azha has not only taken cinemagoers by surprise but cinema owners as well.

An official of Capri cinema stated that they have signed a priority contract when it comes to the release of Pakistani films but they have already entered into a similar agreement with the producer of Operation 021 and due to a shortage of screens in Capri they might have problems accommodating NMA.

Published in The Express Tribune, September 7th, 2014.

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